Σάββατο 7 Σεπτεμβρίου 2013

Lanthimos in Top-20 directors to watch for NYTimes



Lanthimos in Top-20 directors to watch for NYTimes


20 Directors to Watch

This is a list of 20 filmmakers to watch. Other than their relative youth — one turned 40 a few months ago, and several more will join him soon — they share little besides passion and promise. But bringing them together, and shining a light on their accomplishments and their potential, seems especially urgent as another new season of serious moviegoing gets under way. Here’s why: We are living in a time of cinematic bounty. In multiplexes and beyond, movie lovers have a greater, more dizzying variety of choices — and of screens, large and small — than at any time in history.
Yorgos Lanthimos
A group of four people — a cult, a start-up company or something else entirely — provides grieving families with the peculiar but surprisingly popular service of impersonating dead loved ones. A mother and father live with their adult children, who they have raised in isolation from society and educated in a belief system built around bizarre superstitions and an esoteric vocabulary. These are the premises of “Alps” and “Dogtooth,” the most recent features by the Greek filmmaker Yorgos Lanthimos. The world of his films is very strange but also uncannily recognizable. It is not a place of fantasy or allegory but a zone of possibility protruding at an odd angle from what we might understand as reality. He does not explain his surreal conceits but rather presents them with naturalistic rigor, as if he were shooting documentaries of his own dreams. Or perhaps of a culture’s nightmares.

While the political and economic unraveling of his homeland do not figure directly in “Alps” or “Dogtooth,” Mr. Lanthimos is part of a generation of Greek filmmakers who have come into their own in a period of profound and terrifying crisis. And the feeling of malaise, of living in a condition of hollowed-out meanings and foreclosed possibilities, haunts his characters, in particular the young ones. The adult children in “Dogtooth” inhabit a doomed wonderland, while the ghoulish entrepreneurs of “Alps” fall prey to the emotional chaos their project is designed to hold at bay.

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Official web page: http://www.lanthimos.com    


Τετάρτη 4 Σεπτεμβρίου 2013

70th Venice Film Festival poster pays tribute to Angelopoulos and Fellini




70th Venice Film Festival poster pays tribute to Angelopoulos and Fellini




The cinema of Theo Angelopoulos and of Federico Fellini is celebrated in the image chosen for the new official poster of the 70th Venice International Film Festival.

The festival, directed by Alberto Barbera and organized by the Biennale di Venezia, chaired by Paolo Baratta, will be held at the Lido from August 28 to September 7, 2013.
Created by Simone Massi - the animator, director and illustrator of the festival’s opening sequence - the image recalls a frame from the film by Theo Angelopoulos, Eternity and a Day (1998), starring Bruno Ganz. A man seen from behind waves his arms at a boat which, in the distance, is carrying a child and a rhinoceros.
A tongue-in-cheek reference to last year’s poster (which was inspired by Federico Fellini’s 1983 film, And the Ship Sails On), the poster “marks both continuity and a break with the past. It also invites viewers to look beyond, to roam using their imagination.”
The coordinated visual identity and image of the Venice Film Festival has again been handed to Milan’s Studio Graph.X, based on the drawings by Simone Massi.

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Official web page: http://www.labiennale.org